Lords of the Fall
Lords of the Fall John Michael Greer It’s been nine months now since I set aside the other preoccupations of this blog and launched a project I’d had in mind for many years—a discussion of the political and economic subtext underlying Richard Wagner’s vast operatic cycle The Nibelung’s Ring . All things considered, nine months ago was a propitious time for such a venture, as Donald Trump’s bombastic baritone and Kamala Harris’s fingernails-on-blackboard soprano rang out over a bellowing chorus of media pundits and election officials, while billionaires George Soros and Elon Musk frantically conducted competing orchestras of braying donkeys and trumpeting elephants. The only possible word for the cacophony that resulted is “Wagnerian.” If anything, the volume’s just going to keep rising as we move to the next scene. I don’t expect things to get quieter any time soon. Nonetheless, the discussion of Wagner’s ideas finished up two weeks ago, and it’s time to move on to other th...